The student-focused guide to grounded theory, this book takes you step by step through the whole research process, from creating a research proposal to sharing your findings. Packed with tools to help you understand how grounded theory can be applied at each stage of your research project, the book includes: *Interactive activities and critical thinking questions in every chapter so you can put your knowledge into practice *Case studies written by a wide variety of researchers so you can learn how to navigate real world research from people who have been in your shoes *Templates and checklists to help guide your writing and ensure you don't miss a step in the research process. Clear, accessible and applied, this book will help you get to grips with the philosophy of grounded theory, understand the nuts and bolts of designing and carrying out your research project, and manage any hurdles along the way. Explore the accompanying online resources, which include PowerPoint slides, additional templates, and weblinks to videos and journal articles relevant to the key concepts in each chapter.

This three-volume set explores the rich and complex histories of English, Scottish and Welsh theatres from early Britain to the present. Volume 1 begins in Roman Britain and ends with Charles II's restoration to the throne imminent. Volume 2 begins in 1660 with the restoration of King Charles II to the throne and the re-establishment of the professional theatre, interdicted since 1642, and follows the far-reaching development of the form over two centuries and more to 1895. Volume 3 explores the rich and complex histories of English, Scottish and Welsh theatres in the 'long' twentieth century since 1895. Original essays written by leading British and American historians and critics investigate the major aspects of theatrical performance, combining an interest in the written drama with an understanding of the material conditions of the evolving professional theatre that the drama helped to sustain.

Volume 1 of The Cambridge History of British Theatre begins in Roman Britain and ends with Charles II's restoration to the throne imminent. The four essays in Part I treat pre-Elizabethan theatre, the eight in Part II focus on the riches of the Elizabethan era, and the seven in Part III on theatrical developments during and after the reigns of James I and Charles I. The essays are written for the general reader by leading British and American scholars, who combine an interest in the written drama with an understanding of the material conditions of the evolving professional theatre which the drama helped to sustain, often enough against formidable odds. The volume unfolds a story of enterprise, innovation and, sometimes, of desperate survival over years in which theatre and drama were necessarily embroiled in the politics of everyday life: a vivid subject vividly presented.

Volume One of The Cambridge History of British Theatre begins in Roman Britain and ends with Charles II's restoration to the throne imminent. The four essays in Part One treat pre-Elizabethan theatre, the eight in Part Two focus on the riches of the Elizabethan era, and the seven in Part Three on theatrical developments during and after the reigns of James I and Charles I. The essays are written for the general reader by leading British and American scholars, who combine an interest in the written drama with an understanding of the material conditions of the evolving professional theatre which the drama helped to sustain, often enough against formidable odds. The volume unfolds a story of enterprise, innovation and, sometimes, of desperate survival over years in which theatre and drama were necessarily embroiled in the politics of everyday life: a vivid subject vividly presented.

The Basset Table follows the fortunes of Lady Reveller, who runs a table where her friends play the card game basset, and her struggle to avoid marrying Lord Worthy. Meanwhile, Lady Reveller's cousin, Valeria, spends her time conducting scientific experiments and dissections, but her father intends to marry her off to the bluff sea-captain Hearty. How can Lady Reveller be persuaded to forego the delights of gambling? And how can Valeria avoid an unwanted marriage? This witty play paints a seductive picture of the thrills of the Restoration gaming table and challenges contemporary stereotypes of the learned lady. Appendices to this Broadview Edition include materials on female education, gambling, and writing for the stage, as well as eighteenth- and nineteenth-century critical writing on Centlivre and The Basset Table.

This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?

Modern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicite and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work. The 1980s volume features a detailed study by four scholars of the work of four of the major playwrights who came to prominence: Howard Barker (by Sarah Goldingay), Jim Cartwright (David Lane), Sarah Daniels (Jane Milling) and Timberlake Wertenbaker (Sara Freeman). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work from that decade, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1980s.

The student-focused guide to grounded theory, this book takes you step by step through the whole research process, from creating a research proposal to sharing your findings. Packed with tools to help you understand how grounded theory can be applied at each stage of your research project, the book includes: *Interactive activities and critical thinking questions in every chapter so you can put your knowledge into practice *Case studies written by a wide variety of researchers so you can learn how to navigate real world research from people who have been in your shoes *Templates and checklists to help guide your writing and ensure you don't miss a step in the research process. Clear, accessible and applied, this book will help you get to grips with the philosophy of grounded theory, understand the nuts and bolts of designing and carrying out your research project, and manage any hurdles along the way. Explore the accompanying online resources, which include PowerPoint slides, additional templates, and weblinks to videos and journal articles relevant to the key concepts in each chapter.

Dangerous, outrageous, comic and committed, the extraordinary performers collected here have altered the history of popular entertainment in America and Europe. Some have rarely had their story told, others are familiar figures. The essays explore what made these performers extraordinary: how they were trained, how they practised their art, how they were received, celebrated, satirised and mythologised. From the explosive acting of Richard Burbage to the dislocating quirkiness of Peter Lorre, from the dangerous satire of commedia dell'arte troupes in Russia to the bittersweet collaboration of Morecambe and Wise, this volume explores what made these actors popular. Each contributor has taken care to set the performer and their work in cultural context, so that the collection as a whole charts the changing relationship between acting and popular culture over the last four hundred years. Part One examines seventeenth and eighteenth century performers, as they built a sense of the excitement and possibility of theatre with audiences in Britain and Europe. The idea of acting, its art and popular practice was being formed during this period. Part Two explores nineteenth-century popular performers who became cultural icons and developed popular performance that contributed to the regeneration of national identity. Part Three looks at twentieth-century performers whose acting continued to reach popular audiences in remarkable ways, across national boundaries, as the acting industry underwent transformation in the face of technological change This is a unique collection of essays on performers such as Richard Burbage, Sarah Siddons, Peter Lorre, George Formby, Laurel and Hardy, and Morecombe andWise. It provides an outstanding selection of contributors: Richard Boon, Colin Chambers, Chris Dymkowski, Ger Fitzgibbon, Viv Gardner, Baz Kershaw, Alexander Leggatt, Chris McCullough, Jan McDonald, Joel Schechter, Laurence Senelick, Martin White, and Don Wilmeth.

Fresh, insightful and clear, this exciting textbook provides an engaging introduction to the application of qualitative methodology in the real world. Expert researchers then trace the history and philosophical underpinnings of different methodologies, explore the specific demands each places upon the researcher and robustly set out relevant issues surrounding quality and rigor. Featured methodologies include action research, discourse analysis, ethnography, grounded theory, case studies and narrative inquiry. This practical book provides a helpful guide to the research process - it introduces the relevant methods of generating, collecting and analysing data for each discrete methodology and then looks at best practice for presenting findings. This enables new researchers to compare qualitative methods and to confidently select the approach most appropriate for their own research projects. Key features include: Summary table for each chapter - allowing quick checks to test knowledge 'Window into' sections - real world examples showing each methodology in action Student activities Learning objectives Full glossary Annotated suggestions for further reading Links to downloadable SAGE articles Links to relevant websites and organizations

This is an invaluable resource for students and researchers across the social sciences and a must-have guide for those embarking on a research project. Visit the accompanying companion website for a range of free additional resources.

Modern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically. It offers a broad survey of the context and of the playwrights and companies such as Complicite and DV8 that rose to prominence at this time. Alongside this it provides a detailed examination based on fresh research of four of the most significant playwrights of the era and considers the influence they had on later work. The 1980s volume features a detailed study by four scholars of the work of four of the major playwrights who came to prominence: Howard Barker (by Sarah Goldingay), Jim Cartwright (David Lane), Sarah Daniels (Jane Milling) and Timberlake Wertenbaker (Sara Freeman). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work from that decade, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1980s.

Filmed in 1955 Jedda was the first Australian feature film to use Aboriginal actors in lead roles, the first to be filmed in colour and the first to be shown at the Cannes film festival. It tells the tragic story of a young Aboriginal girl of the Arunte tribe, adopted by a white woman, Sarah McCann, as a surrogate for her own baby who has died. She raises her as a white child, isolating her from Aboriginal contact. But when Marbuck, an Aboriginal man seeking work arrives on the station, Jedda is fascinated by him. Jedda was one of several popular melodramas of the post-World War II era that dealt with miscegenation. Mills explores these themes and the representation of the Australian Aborigine, while making comparisons to the Native American sub-genre of the Hollywood Western.

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e

A little girl practices ballerina moves and finally dances in public. For children up to age six.

Fresh, insightful and clear, this exciting textbook provides an engaging introduction to the application of qualitative methodology in the real world. Expert researchers then trace the history and philosophical underpinnings of different methodologies, explore the specific demands each places upon the researcher and robustly set out relevant issues surrounding quality and rigor. Featured methodologies include action research, discourse analysis, ethnography, grounded theory, case studies and narrative inquiry. This practical book provides a helpful guide to the research process - it introduces the relevant methods of generating, collecting and analysing data for each discrete methodology and then looks at best practice for presenting findings. This enables new researchers to compare qualitative methods and to confidently select the approach most appropriate for their own research projects. Key features include: Summary table for each chapter - allowing quick checks to test knowledge 'Window into' sections - real world examples showing each methodology in action Student activities Learning objectives Full glossary Annotated suggestions for further reading Links to downloadable SAGE articles Links to relevant websites and organizations

This is an invaluable resource for students and researchers across the social sciences and a must-have guide for those embarking on a research project. Visit the accompanying companion website for a range of free additional resources.

The modern era in the theatre is notable for the influential role of theoretical practitioners whose writings have shaped a sense of the possibilities of performance. This book is a critical exploration of the theoretical writings of key modern theorists from Stanlislavski to Boal. It offers not only a summary of these theories but a critical commentary on their composition as discourses.